Day 4 / Write 28 Days: Noticing

A few examples in literature of noticing and evoking nature, poetically:

A little tap on the window pane, as though something had struck it, followed by a plentiful light falling sound, as of grains of sand being sprinkled from a window overhead, gradually spreading, intensifying, acquiring a regular rhythm, becoming fluid, sonorous, musical, immeasurable, universal: it was the rain.

Marcel Proust, Swann’s Way (1913)

It was one of those bitter mornings when the whole of Nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one’s feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything.

Guy de Maupassant, Bel-Ami (1985)

Deep in the muddled darkness six copper pheasant feathers glowed in a cradle of blackthorn.

 Helen Macdonald, H is for Hawk (2014)

Everywhere, on cobble and gravel and lawn, the leaves were falling and in the college gardens the smoke of the bonfires joined the wet river mist, drifting across the grey walls; the flags were oily underfoot and as, one by one, the lamps were lit in the windows round the quad, the golden lights were diffuse and remote, new figures in new gowns wandered through the twilight under the arches and the familiar bells now spoke of a year’s memories.

Evelyn Waugh, Brideshead Revisited (1945)

Dusk: a blade of honey between our shadows, draining.

Ocean Vuong, On Earth We’re Briefly Gorgeous (2019)

I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.

Anthony Doerr, All The Light We Cannot See (2014)

Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.

 Cormac McCarthy, The Road (2006)

A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.

John Steinbeck, The Grapes of Wrath (1939)

Brown cliffs with deep green lakes in the hollows, flat blade-like trees that waved from root to tip, round boulders of grey stone, vast crumpled surfaces of a thin crackling texture — all these objects lay across the snail’s progress between one stalk and another to his goal.

 Virginia Woolf, “Kew Gardens” (1919)

As I sit at my window this summer afternoon, hawks are circling about my clearing; the tantivy of wild pigeons, flying by twos and threes athwart my view, or perching restless on the white-pine boughs behind my house, gives a voice to the air; a fishhawk dimples the glassy surface of the pond and brings up a fish; a mink steals out of the marsh before my door and seizes a frog by the shore; the sedge is bending under the weight of the reed-birds flitting hither and thither; and for the last half hour I have heard the rattle of railroad cars, now dying away and then reviving like the beat of a partridge, conveying travelers from Boston to the country.

Henry David Thoreau, Walden (1854)

The black rock was sharp-edged, hot, and hard as corundum; it seemed not merely alien but impervious to life. Yet on the southern face of almost every rock the lichens grew, yellow, rusty-brown, yellow-green, like patches of dirty paint daubed on the stone.

Edward Abbey, The Brave Cowboy: An Old Tale in a New Time (1956)

The night was soft and thick and black and warm as velvet, silky on my skin, smelling of iodine and salt and crepe myrtle and that ineffable, skin-prickling saline emanation that says ‘ocean’ to me whenever I smell it, hundreds of miles inland. It always moves me close to tears, so visceral, so old and tidal is its pull. I have often thought that it is the first smell we know, the amniotic smell of our first, secret sea.

Anne Rivers Siddons, Downtown (1994)

Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood’s edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. … How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.

D.H. Lawrence, Lady Chatterley’s Lover (1928)

At times they came onto hare fields and the sledge runners rattled over frozen lumps of earth. Sometimes they got into a winter rye field or a fallow field on which they could see stalks of wormwood, and straws sticking up through the snow and swaying in the wind; sometimes they came onto deep and even white snow, above which nothing was to be seen.

Leo Tolstoy, “Master & Man” (1895)