Welcome to day 8 of 31 Days of Heterotopias: Motels and Hotels, a month of posts about how motels, hotels, and inns function as heterotopias and liminal spaces in society. (More about heterotopias and liminal spaces.) Each post will look at these ideas from its own vantage point, which may not obviously connect with the others, and which may mention motels and hotels only peripherally or may focus on them without referencing heterotopia or liminality. I won’t attempt to tie the posts together. They’ll all be listed here, as they are posted.
Then there’s sex. Usually better in a motel or hotel than at home, but why? Boundary blurring of private-public? Some kind of taboo related to adultery (commonly practiced in motel rooms exactly because they’re not quite private or public), a trespass (temporary usage of a space that’s not mine), that sense of anonymity or of feeling I’m not quite the me I usually am (or that you are not quite your ordinary you) — are we idealised and idealising, or is it just that the thought of a stranger is more exciting than the familiarity of each other? Is it that it’s a break in the routine, whether a different time, the different place, different bed, or some other aspect? A reminder of brothels and motels that can be rented for an hour, even if you’re there for three days on a straightforward business trip or for a funeral?
“… the North American roadside, a place underwritten by the values and desires of a cultural system that anxiously balances the competing aims of instant gratification and moral purity.” (at Motel Register, on “Dreamland Motels” and Freud)
Elizabeth Hornbeck, in her essay on Stephen King’s Overlook Hotel in his novel The Shining (in Stephen King and Philosophy, Jacob Held, 2016), is articulate in her description of hotels as places, heterotopias, where non-normative and transgressive acts can occur, activity that subverts normal social roles and rules. She notes first that Michel Foucault “describes motel rooms as heterotopias ‘where illicit sex is totally protected and totally concealed at one and the same time, set apart and yet not under an open sky.'”
“While Foucault does not mention hotels in his essay [“The Order of Things,” in which he does mention brothels], they satisfy his description of the heterotopia of deviance because of the unique kind of social space they offer. Hotels bring together individuals whose paths might not normally cross, and they create relationships and social hierarchies new to those individuals — relationships and hierarchies that do not always correspond to the individuals’ ‘normal’ relationships outside the hotel. In subverting the status quo, they are fundamentally political spaces in the broadest sense. …
“The family home … constrains the parent-child relationship, the spousal relationship, intergenerational relationships, and so forth, all according to socially defined roles. Breaking away from those norms is facilitated by leaving the normative space of ‘home’ and entering the subversive space of heterotopia. …. Heterotopias undermine our sense of ordering, defining, and understanding, and hence to some extent controlling, the spaces we occupy. Unlike their counterparts, normative spaces, heterotopias are spaces where the transgressive can take place without censure.”
“Magic fingers” were all the rage at the classy places we went to as kids on family trips.
My sisters and I always put quarters in the slot and enjoyed the good vibrations. I shudder when I think about what was probably on the sheets and comforters. (The Flamingo Motel in Coeur d’Alene, Idaho had some of the last working units in 2012, still only 25 cents a go.)
I’m pretty sure I also know what’s floating around in the “jacuzzi built for two” and it’s not any kind of aphrodisiac. (This International Inn & Suites is in Hyannis, Cape Cod, MA. Their URL is “cuddles.com”)
“Hotel rooms constitute a separate moral universe.'”– Tom Stoppard
It’s not exactly a motel, but it may as well be: This scene with Goldie Hawn and Dudley Moore in Foul Play is a gleaming model for all things sleazy motelish. The liquor cabinet and bad drinks, the strobing lights, the BeeGees, the sudden arrival of the sex dolls, the naked women paintings and the porn film projected on the wall, the heralded hidden bed and mirrored neon-lights ceiling, tambourines, binoculars, his coy preening and prancing. Then his utter humiliation and shame when he’s scolded and the lights come on. It’s a classic!